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Publications — Staging

Publications

Photograph of the front and spine of 'Barkle and Tranklements' showing the title.

Barkle and Tranklements

Through case studies and interviews, rituals and fictions, diagrammatic explorations and art-historical essays, Barkle and Tranklements …

Low brick walls are build to different heights in a state of unfinishedness. There are two piles of bricks: one one an old black singer sewing machine, on the other an old tape player and stack of tapes. On the ground fluffy dandelion seeds like a carpet, and to the right an Iranian rug.

Open Table no 3: Katy Shahandeh & Omid Asadi

Omid Asadi, Resonance and Remnants (2023). Photo by JOmid Asadi, Resonance and Remnants (2023). Photo by …

An abstract-figurative sculpture perches on a deep yellow circular plinth in a yellow painted gallery corner.

Open Table no 2: Enya Koster, Grace Collins & George Gibson

The second in a series of short publications in collaboration with Castlefield Gallery, in response to Archives at Play 2.

A photograph of an office chair engulfed in smoke.

Open Table no 1: Bryony Dawson & Elysia Lukoszevieze

The first in a series of short publications in collaboration with Castlefield Gallery, in response to PIVOT: Editions.

A brown-grey book cover with geometric lines and title 'NORTHERN FORMATIONS' in blue.

Northern Formations

Now available to purchase. A collection of responses to the unusual proliferation of sculpture across the North of England, through history and in the present day.

ten pale pink breast-like orbs float over the top of an oval showing a mirrored greyscale image of foliage, the wider background is white

CHAIN/MAIL Issue 4: Yorkshire and The Humber

The final in a series of four regional issues, featuring a chain of responsive short form writing and cover artwork (February 2021).

burnt orange cover with title 'RACHEL GOODYEAR OF WOLVES AND WOMEN' in white and black font

Rachel Goodyear: Of Wolves and Wild Women

Produced in the Spring of 2020 during lockdown, in response to the planned Rachel Goodyear exhibition at Leeds Arts University.

A white cover page with an orange graphic design and the title facing Extinction in black

facing Extinction

A creative engagement with the idea of mass extinction, in collaboration with University of Leeds and Manchester Museum (print and online, 2020).

an illustration of the back of two bare legs from the knee down with sandaled feet

CHAIN/MAIL Issue 3: Greater Manchester/ Lancashire/ Cumbria

The penultimate in a series of four regional issues, featuring a chain of responsive short form writing and cover artwork (November 2020).

CHAIN/MAIL Issue 2: Merseyside and Cheshire

The second in a series of four regional issues, featuring a chain of responsive short form writing and cover artwork (September 2020).

CHAIN/MAIL Issue 1: North East

The first in a series of four regional issues, featuring a chain of responsive short form writing and cover artwork (August 2020).

Nicola Dale: Figurehead

Produced for the inauagural exhibiton at Leeds Arts University’s Blenheim Walk Gallery (January 2019).

In Your Hands

A digital publication responding to the first Yorkshire Sculpture International and its engagement programme (Leeds and Wakefield, Summer 2019).

A bright yellow cover page with the title RESILIENC IS FUTILE in bold black

Resilience is Futile

A collaborative print publication with Yorkshire & Humber Visual Arts Network (August 2019).

Occasional Residents

A limited-edition publication produced as part of a writing residency programme with Humber Street Gallery, Hull, in 2017/18.

Aggregate: Fritha Jenkins and Edna Lumb

Produced as part of a second residency partnership with Leeds Arts University, in response to the titular exhibition, February – March 2018.

Restlessness

A limited-edition publication produced as part of a writing residency programme with Castlefield Gallery and The International 3, Manchester, in 2017.

Whose Bloody Sunset?

The first residency publication with Leeds College of Art (now Leeds Art University) for the exhibition, Felice House: RE-WESTERN, January – March 2017.

RIPE

A limited-edition publication produced as part of Corridor8’s first writing residency programme, in partnership with The Tetley, Leeds, in 2016/17.

Corridor8 Issue 3.4

Issue #3.4

The final issue of Corridor8’s third edition published in 2012.

Corridor 8 Issue #3.3

Issue #3.3

Issue #3.3 includes profiles of art schools across the North and Soanyway’s first excursion in to print.

Issue #3.2

Issue #3.3 includes profiles of art schools across the North and Soanyway’s first excursion in to print.

Issue #3.1

The first of a four-part set published in 2012.

cover_0212

Issue #2

A special Borderlands edition for the second issue of Corridor8 in 2011.

Issue #1

In this 2010 edition: ‘Art and the SuperCity’ and a free art print by Rachel Goodyear.