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Tagged residency — Staging

Showing 26 posts

Three large drawings on dark paper, with text and images in many colours but with an overall blue tone, part of a larger series, hang in an airy mill building.

Memorial Gestures

09.07.2025, by Alice Bradshaw

human hands rolling brown clay on a wooden surface

Inside the Building, a Body: Emily Speed’s Women in Print Residency

08.06.2025, by Eloise Oui

terracotta, cream and brown coloured strips of fabric draping from the ceiling

Energy House 2.0: Mishka Henner and Emily Speed

15.05.2025, by Jack Nicholls

A gallery with terracotta coloured walls stands a large black structure with symbols painted on it.

Mani Kambo: Ax·is Mun·di

28.04.2025, by Rachel Boyd

The artist sits at a workbench touching a deep green sheet of paper with one of her hands

Flower is a Cloud: Sana Obaid’s Women in Print Residency

22.03.2025, by Nina Newbold

Two human faces lit with strings of fairy lights around them in a dark orange image

Reciprocal relationships: PROFORMA’s artist residency toolkit

05.03.2025, by Natalie Bradbury

Women sit around a large table covered in paints, paper, and other art supplies, talking and smiling

In Translation: In-Situ and Art of Small Talk

14.01.2025, by Chantal Oakes

A print of a red block with rows of lighter shade and ribbons of traps curled at the top and bottom

Translating Textiles into Print: Jenny Steele’s Women in Print Residency

04.12.2024, by Iona Glen

A monochrome drawing of seed pods and an eagle claw.

Georgia O’Keeffe: Memories of Drawings / Ailish Treanor: Ulterior Motifs

01.11.2024, by Even Allen

A white wall covered in little fragments of images on paper loosely attached in blacks, greys, whites and oranges

Points of Contact: Hannah Leighton-Boyce

25.07.2024, by Amie Kirby

A white walled gallery space lit up green, on the floor in the foreground stencils for lettering reading WE ARE ALL IN A CYCLE and to the left in the back a ladder, to the right a trolley with buckets of paint

Jo Lathwood: Making Up

07.02.2024, by Jazmine Linklater

A bright multicoloured digital collage with objects flying out from the centre including a CD, pieces of paper, a small glove and a bar of soap.

Matrices and Communities: FACT Together 2022-2023

28.09.2023, by Reece Griffiths

A group of people, some wearing facemasks, sitting and standing, assembled around a table speaking, drawing and taking notes.

UNIDEE 2020-2022: Reflections on Embedded Arts Practice in (post)pandemic times

20.07.2023, by Alessandra Saviotti

Two hands touch a knitted blanket. The blanket is cream with blue woven text. The only word that can be made out is 'HELGA'.

Memorial Gestures

13.07.2023, by Alice Bradshaw

A composite image showing a painting by Lucy Wright on the right and a photograph of Analogue Farm on the left.

And you too have come into the world to do this: a conversation about Analogue Farm

08.10.2022, by Lucy Wright

white drapes with a printed pattern hang around an old dark canopy bed in a historic room

Rebecca Chesney: Hidden from Light

12.07.2022, by Grace Edwards

3 sculptures resembling flagpoles hung with fringed material are positioned in the paved back garden of a red-brick terraced house.

On the street where you live: Threshold, a year in review

20.01.2022, by Saffron Ward

A partial view of an exhibition, there are images of civic architecture on the back wall. In the middle distance a vitrine holding three medals or coins. In the foreground is a table decorated with bunting and holding refreshments: a plate of wrapped biscuits and a jug of squash.

Navigator North: Exchange – Past, Present & Future

18.10.2021, by Debbie Rolls

Installation image of the exhibition.

JJ Chan: What do we know (anyway)?

12.08.2021, by Uthra Rajgopal

The image shows a wooden sculpture resembling a tree trunk supported by four bowing legs in the centre of the frame, with drawings of tree trunks in frames behind it on the gallery wall.

David Nash: Return to the Forest

23.07.2021, by Laura Biddle

A white gallery space filled with sculptures and visitors.

Who’s Seen Jerome?

06.02.2019, by Saffron Ward

Art Writing Residency at Humber Street Gallery

06.09.2017

A vinyl applied to a wall that reproduces the title of a book: 'Lsaw is a bottomless pit: or, the History of John Bull.'

Migration

27.06.2017, by Lisa-Marie Dickinson

2017 Writing Residency Programme Announced!

20.03.2017

Micro Residency at serf Studios

13.01.2017

Rachel Wrigley – Exploring PAPER, PAPER Gallery

13.09.2013