Tagged sound — Staging

Going Back Brockens: Monuments and Rhetoric After the Miners’ Strike

13.08.2025, by Kate Liston

Review

Bishop Auckland

The Warehouse

a white wall covered with sprigs of meadow flowers

Henna Asikainen: Lintukoto/Haven

19.06.2025, by Sam Pickett

Review

Lancaster

Lancaster Arts

terracotta, cream and brown coloured strips of fabric draping from the ceiling

Energy House 2.0: Mishka Henner and Emily Speed

15.05.2025, by Jack Nicholls

Review

Castlefield Gallery

Manchester

A wooden table covered with a row of wooden sticks and small prints of mouths on pieces of paper standing upright

The Caravan Press and All the Better to Hear You With

06.05.2025, by Francesca Brooks

Review

Allan Bank

Cumbria

Grasmere

The stage set of House of Reeves shop front behind a white picket fence and gravel floor, with concrete pillars and planters with dead trees on either side

Imran Perretta: A Riot in Three Acts

13.03.2025, by Kirsty Jukes

Review

HOME

Manchester

A close up of a long wall vitrine with postcards and polaroid's inside and underneath on the wall words written: marking shifting changing learning discussing questioning...

Tina Dempsey and Tracy Hill: Grounding

04.03.2025, by Anne Waggot Knott

Review

Blackpool

Grundy Art Gallery

Women sit around a large table covered in paints, paper, and other art supplies, talking and smiling

In Translation: In-Situ and Art of Small Talk

14.01.2025, by Chantal Oakes

Exploration

In-Situ

Lancashire

A close up of four swatches of overlaid printed fabric, clockwise from the top: a grey-blue-green swirly cloud like image; a dappled red-black-brown like a close-up on mince meat; bright yellow with flecks of white; deep and lighter green leaves on brown branches with red berries

Preserving Hole: Bláithín Mac Donnell, Aled Simons and Tom Cardew

26.09.2024, by Hilary White

Review

Division of Labour

Salford

A white woman with brown hair wearing black in a dark space filed with triangular shapes holds two glowing drum sticks as though mid stroke. She is looking down to the drums out of frame.

Mishka Henner: The Conductor

29.05.2024, by Jack Nicholls

Review

Salford

Sounds from the Other City

A group of people of various ages and races sit around the room listening, some lie back with arms cross and all have their eyes shut

SHOP & The Future of Listening by Niki Colclough

13.03.2024, by James McColl

Exploration

Preston

SHOP

A light skinned person with greying hair has their hands on a round pine table, they are wearing headphones, they are looking at the table in contemplation. Behind them is a drawing of a coastal landscape attached to a pine board with bulldog clips. There are blue and black bean bags near the table.

Blue Futures: In conversation with Suzy O’Hara

12.12.2023, by Christie Yung-hei Chan

Interview

South Shields

The Word

A gallery space with white painted walls and concrete floor. Light enters the windows along the back wall. There are several artworks in the gallery: a modified pool or snooker table, a sofa and arm chair, a green curtain, and a set of antlers mounted to the wall.

Luke Beech: Winner Breaks First

27.07.2023, by Emma Curd

Review

Hull

Humber Street Gallery

A still from a CGI video essay. The background is black with small white lines marking out space, and navigation tools at the side of the screen. A 3D model of a mountain is in the centre, with green plants growing among white and grey rock.

Kyriaki Goni: Data Garden

18.03.2023, by Alasdair Milne

Review

Leeds

Leeds Arts University

A photograph of two large screens displayed like an open book, in a darkened room, lit with soft red light. On the screens are black and white, grainy images of waves, curled and crashing. on either side of the screens are potted plants, the foliage is highlighted in the red light.

Zinzi Minott: Black on Black

22.08.2022, by Mymona Bibi

Review

BALTIC Centre for Contemporary Art

Gateshead

An illustration of a hand reaching out toward a shiny CD disc, against a warm orange background.

The body feeling

10.12.2021, by Callan Waldron-Hall

Exploration

Cinema Paradiso: Shorts Programme

12.01.2020, by Isabel Taube

Review

Paradise Works

Salford

An artist's film screened in a gallery space. On screen is a view of a person's legs in blue light. In the surrounding gallery is a neon green work lighting the room.

Simeon Barclay: Bus2move

12.11.2018, by Laura Clarke

Review

Leeds

The Tetley

Invisible Flock’s AURORA at Toxteth Reservoir

07.10.2018, by Denise Couroux

Review

Liverpool

Matt Stokes Gogmagog Bell Bells Trinity Church Sunderland

Matt Stokes: Gogmagog – The Voices of the Bells

08.08.2018, by Dave Pritchard

Review

Holy Trinity Church

Sunderland

Preview: COSMOS at bluedot 2018

15.07.2018, by Jacob Bolton

Review

Liverpool

Helen Shaddock: Themselves Here Together

16.06.2018, by Sarah Davies

Review

South Shields

The Word

Kate Liston Hatton Gallery Newcastle University

Kate Liston: Feel After the New See

08.05.2018, by Lesley Guy

Review

Hatton Gallery

Newcastle upon Tyne

Fiona Crisp: Material Sight

25.04.2018, by Dave Pritchard

Review

NGCA

Sunderland

A person looks at an artwork mounted on the gallery wall. The work shows a person's back, overwritten with text.

Queerology: What Have You Done For Me Lately?

22.03.2018, by Alice Bradshaw

Review

Leeds

serf studios

Two people stand in a darkened room, with a white light shining through them.

Anthony McCall: Solid Light Works

20.03.2018, by Gertrude Gibbons

Review

Hepworth Wakefield

Wakefield

Sick ardour Anna Barham ex-libris Gallery Newcastle University George Vasey

Anna Barham: Sick Ardour

16.03.2018, by Adam Heardman

Review

Ex-Libris Gallery

Newcastle upon Tyne

Serena Korda: Missing Time

23.02.2018, by Rosie Minney

Review

BALTIC Centre for Contemporary Art

Gateshead

Abandon Normal Devices 2017 (2/2): AUDIO

02.11.2017, by Jacob Bolton

Review

Castleton

Peak District

View of an exhibition with several works hung on the walls, and centrally on a plinth a large bench with tall back.

Everything Flows

20.06.2017, by David McLeavy

Review

Millennium Gallery

Sheffield